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Background
Is it a time forgotten? 1865 was a long time ago, almost a hundred years after 1776. 50 years before WWI and WWII. People started driving cars and taking hot showers. My parents were born within a hundred years from the death of Lincoln. History marks many changes. Despite the passage of so much time, I can distinctly feel within myself a sense of connection to events that happened during the last year of Abraham Lincoln's life whether it is strolling through Civil War battleground sites or standing right next to the site where the South surrendered to the North.
Describing Abraham Lincoln’s profound influence on American history as anything less than monumental would be inadequate. He assumed the responsibility of safeguarding and upholding a nation during what he described as the “momentous issue of civil war.” Lincoln’s origins were modest, lacking wealth or renown in his family lineage. He was raised in the rugged wilderness amidst bears and other untamed creatures. Despite not possessing all the comforts, not emerging victorious in every debate, and encountering various hardships, he consistently toiled diligently in the face of adversity. His assassination, originally intended to harm the Northern States, ironically served to strengthen the resolve to preserve the union and ensure the permanent freedom of the enslaved.
This recital offers a glimpse into the life of Lincoln, capturing a range of events that occurred. It isn’t all sunshine and rainbows. With Lincoln, we know a lot about his personality. What you’ll encounter in this performance is a blend of Lincoln’s own commentary, perspectives from those who opposed him, occasional insights into the music and entertainment of his era, as well as some pointed criticisms. The culmination of the concert will feature a dignified memorial rendition of George Horton’s poem in honor of Lincoln. Horton, who spent most of his life as a slave, ultimately secured his freedom by selling his poetry and became a free man after the Civil War.
Live Performances
all of these presentations featured full or partial selections from the performance cycle
Crosstown Arts, Memphis, TN: February 22, 2025
Georgia College and University, Milledgeville GA: January 28, 2025
Murrayville Public Library, Gainesville GA: Oct 3 & 17 Nov 7 & 21, 2024
Calvary Baptist Church, Columbus MS: September 30, 2024
Mississippi University for Women: September 30, 2024
Columbus Arts Council: September 30, 2024
Murrayville Public Library: August 1, 2025
Fort McAllister Historic Site: July 15, 2024
Vogel State Park: May 16, 2024
Vicksburg National Battlefield: April 20, 2024
University of Louisiana, Monroe: April 20, 2024
Murrayville Public Library, Gainesville, GA: April 18, 2024
University of North Georgia, Gloria Shott Performance Hall: February 12, 2024
A Little Night(Hawk) Series, Ed Cabell Theatre: December 4, 2023
University of Montevallo (NACUSA National Conference): March 23, 2023
Snead State College: February 26, 2022
A Final Year for President Lincoln
Campaign Song 1864: McClellan
Campaign Song 1864: Shout for Lincoln
Hey Sherman ‘Go as you purpose’ from your pal - Ulysses S. Grant’
The Thirteenth Amendment
Surrender at Appomattox
Assassination
He is Gone
for voice, piano, narration, percussion, and fixed media
Some Early American Quotes
for flute, narrator, and processed field recordings
The Ballad of Tad Sims - SHEET MUSIC
Campfire Tales with the Men
They Shot the Fife Player (RIP Fancy Billy)
Betallion Joy with Salty Sixteenths (the Almost Crazy Army)
for field drum and live interactive electronics
Serious.Reflect.Lincoln
Why Do They Love Me?
Momma Died From the Milk Sick
Train Ride to a Sanity Fair
Alone in the Forest
for alto saxophone, synthesizer, and percussion
Soliloquy
for guitar, narrator, and fixed media
Kennesaw Mountain Battle Letters
War is Hell
Let No Mute Stand at the Door
A Bullet to my Ribs, I'll Haunt this Battlefield Soon
solo euphonium
Lincoln on Theater? ‘I Am Not Her Greatest Fanatic’
for trumpet and fixed media
Taylor on Lincoln (in live concert only)
for narrator, piano, and fixed media
War Bugle Fanfare (in live concert only)
for trumpet, percussion, electronics, and visual media
The 1716 Collective is a performance group based out of North Georgia, and the main artists on the album release. All our performers are connected with the University of North Georgia. "1716" is a description of how to find our Gainesville campus - it sits between exit 17 and 16 off of the 985.
David Peoples
composer pianist
composer pianist
A great mystery lies in his tune-mastering quill. David R. Peoples writes with a ginger ale in hand on a balcony surrounded by forest. It’s from Flowery Branch, Georgia, surrounded by nature, that all his compositions begin before being released into and around the world. He is an ol’ rusty guts that would lay down the knife and fork for any of his kin. A champion of the finer tunes, he has ne’er associated with whooperups or had a tune take the old cow to the butcher.
Benjamin Schoening
lyric baritone
lyric baritone
The depths of hell doth shake its knees at the heavenly-touched breath of lyric baritone Benjamin Schoening. He is a favorite son of the Sconnie Nation - in his mighty youth, he captained a thousand badgers and spat in the eyes of Old Man Winter. Doctor and commander of the musical arts, Schoening will say what cannot be said with pillars of words, calling down vines of gold from heaven with the simple charm of his poetic gorget - slaying discordant demons to the delight and fascination of the masses.
Michael Brown
trumpet
trumpet
From the heart of Georgia, Michael Brown is a master tooter and possesses the legendary skill to dance with eloquent virtuosity that denies the morbs. Cornopean songs yield to his glorious valves and shadows cannot hide from the wift of twinkum twankum radiating from his bell. Brown valiantly sets at naught the mawkish presentment of acroamatics wrested in demonic intonations.
Steven Walker
percussion
percussion
The dashiest-of-fire: beware the call of Steven Walker. No one durst draw the long bow or throw a crab at this general of the symphonic batterie. Many a lad has given the earth a bath because they could not shoot the gun at the foot of this master of time. Dr. Walker - a physician that fizzes from every limb a beat that IS beer and skittles. - damfino how far his tunes reach into celestial heights. It is a bottom fact that this lally-cooler can thump a hammer.
Philip Snyder
guitar
guitar
Armed with an instrument decked with strings wefted by the muse of muses, Calliope, this delight of the universe has given many a doin' to legions of bumble puppies and leaving them to suffer many a Major MacFluffer. E'en the holiest of ministers took to foot-and-mouth disease — losing their faith once entranced by the intoxicating harmonies of his sonic chamber box.
Bart Walters
saxophone
saxophone
Everything is more than just tickety boo in the presence of this masterful ace of the shiny horn-ed pipe. Even Henry Wellington Greatorex's tail fell down in a pugilistic music match as this brave puffer of melodies carried a flock of meadowlarks into the good 'ol blue blanket. He is the nanty narker of music nanty narking; a sauce box that chanters ditties of the finest quality.
Adam Frey
euphonium
euphonium
The fingers dance a virtuosic romp that starts a jolly; this heavenly anchor of chaotic gaggles of musical artisans bangs up the elephant and takes the tiles off the roof. From a puff of breath, music leaves the brassy and divine armament - incomparable to not e'en the beauty of Lillie Langtry. He is the universes foremost representative of the evolved valved bugle.
Jovana Damnjanović
flute
flute
In an arena of the fife-iest of fifers, this delight of the ages would cause all other musical discharges to make a stuffed bird laugh. At the mere mention of the song to be sung through the pipe of this pearl of joy fills the rafters and brightens the air to prevent even secretivistic plans of a skilamalink. Afternoonification and satisfaction fill the troubled soul who experiences her sweet melodies.
Shannon Gilstrap
narrator
narrator
The priceless gem - the sardine’s whiskers, the elephant’s adenoids, the toad’s beard of all things just and pure - a lighthouse in the storm of perfunctory clouds of egregious language arts. A master slayer of demonic doubts and fears - many a rascal has fallen slain by Shannon Gilstrap’s raconteur par excellence; nary a pupil at this great establishment can owe Beelzebub a shard of nickel if they stand in the glorious words of Gilstrap.
Cherri Helms
narrator
narrator
The grace of eloquence that sits at the lips of this duchess of the night sky has forced many a gent to silence. Her words fall like heavenly globes, descending deftly into masses of the grandest flock of cherubs. A captain who stands at the helm herding the arf’arf’an’arfing lollygaggers into a line and into a corral. Don't hear me wrong, she'll be your dimber-damber chuckaboo when a chuckaboo is needed — and everyone can use a chuckaboo.